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Ceramics Apse : Photo : Cosanti Foundation |
The Ceramics Studio at Arcosanti
together with the Bronze
Foundry is responsible for the income producing
craft work that helps fund the ongoing construction
at this prototype arcology.
Our work takes place in a quarter sphere which is facing
south and is called an apse. This enables us to make
use of passive solar energy. This permits us to work
in the sunshine during winter and in the shade during
summer. The apse form works in concert with the seasonal
angles of the sun’s position in the sky. The
apse frames the surrounding environment in a very beautiful
fashion. Being able to work in a semi-protected environment
keeps us in touch with the natural world we live in.
Our studio generally employs 6 people. One person produces
all of our tile work, about 5000 pieces a year. The
other 5 people produce all the bells and pots, about
10,000 pieces.
The
production process begins in Globe Arizona, about a
four hour drive from a Arcosanti. For decades we have
been digging raw clay from a large deposit on private
land which is sold to us. For $35 per ton, we truck
about 12 tons per year up to Arcosanti and deposit it
in our production area.
We mix this raw clay with water until the clay dissolves
and forms a thick milk-shake-like consistency known
as slip. Our first method of production involves the
use of plaster molds. The shapes of these molds was
determined by Paolo Soleri, the number of which increased
over time. For spherical-type bells, two piece molds
are used to accommodate the broadest part of the bell
which is the middle. For conical-shaped pieces a one-piece
mold is sufficient.
Slip
Casting with Plaster Molds
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